:lotalac: Cualli teotlac, mimichtin! 🐠 I am back with a special thread this week, a topic near and dear to my heart. This week we'll be discussing the origins and cultural importance of one of the few remaining indigenous holidays turned alt cult phenomenon, Dia de los Muertos! :sugarskull: So buckle up, we're in for a ride and our first stop is as it always is: Past Aztlan and to the beginning, Mictlan :lotcala:

Who today isn't familiar with the sight of skull faces decked out with rhinestones and streaks of neon paints? Crowns of cascading roses and marigolds or maybe a tall pinstriped topped hat framing a grotesquely grimacing face and fanciful clothing to complete the look. The past 25 years has seen Dia de los Muertos go from an obscure ritual celebrated in remote Mexico to global phenomenon with parades and parties hosted from October 31st to November 2nd, both religious and as pop art.

From Disney movies (Coco) to Fox movies (Book of the Life), makeup tutorials, art prints, Halloween costumes, wallpapers, candy tins, down to cheap party decorations sold by Party City and Target, we can't seem to really escape the sights once October rolls around. For better or for worse, it seems here to stay.

So.. What exactly is Dia de los Muertos and where did it come from? You know its not Mexican Halloween. Something about skeletons crossing marigold bridges? Huh??

The story begins eons ago, before Mexico, before the Aztec Empire, maybe even before the Olmec and a people we have no name for. Its a story we still tell ourselves today in many different capacities, but the indigenous people knew it as Mictlan, the final resting place.

Lorded over by Mictlantecuhtli and his Queen, Mictecacihuatl, Mictlan was the 9th and final layer and resting place of the underworld.

One had to fight and struggle their way to Mictlan to earn their final rest. It is said to have taken a soul four years to conquer the journey through treacherous ranges where the mountains crashed into each other, across expansive plains where the winds whipped your body like sharp knives, and through a wild bloody river hounded by fearsome, hungry jaguars.

Not everyone had to go through this, of course. Some proved their worth in life and were rewarded for it.

Warriors that died either in battle or as a sacrifice were sent to the East where they rose with the sun and came back to Earth as humminbirds to defend their home and family.

Mothers that died in childbirth were sent to the West to accompany the setting sun.

While souls taken by drowning, lightning, or certain disease went to Tlalocan, the paradise presided over by god Tlaloc.

And yes there is a very deliberate link between warriors dying in battle and women dying in childbirth both accompanying the sun on its journey. Pregnancy and labor were considered a form of war, and the Mother and Child both warriors. Should either perish during, they were honored as warriors.

A soul had help on their way through the layers of Mictlan, both in the form of an animal companion- the greeks called them psychopomps, we call them alebrijes- usually a Xolo dog (and this goes way back to another thread: Don't be mean to your doggies! They may just ditch your ass at the bloody, jaguar infested river instead of helping you across!) or another animal and offerings left behind by the family in the form of tools, weapons, armor, or food.

Does this sound familiar? Its the most likely direct relative to the ofrenda we leave out today as offerings to our ancestors. Every year, we deck out altars large and small with flowers- traditionally marigolds- and photos of our ancestors surrounded by all their favorite earthly comforts: beer, coffee, tea, pan dulce, candy, platters of enchiladas, tamales, often little toys or musical instruments.

Dia de los Muertos as we know it today is a mash up of Spanish Catholic traditions and indigenous beliefs, all rolled up together to create a brilliant and beautiful celebration of life, love, and family. Is it macabre? Sure! But that's not a bad thing.

As we've talked about before, the belief of creation is that no one thing can exist without another sacrificing itself. We are not here without our ancestors sacrifice for us, and so we sing and dance and party with them once a year to remember.

Beyond the religious iconography of Saints and Jesus, Spanish Catholicism is deeply embedded into the celebration now, for better or worse.

Dia de los Muertos was once celebrated sometime around August, but Catholicism moved in and it merged into the minor holiday of All Souls Day. Other traditions included the flowers and candles said to light the way of the souls from the cemetery to the family home, as well as the iconic breads left on the altars, pan de muerto y pan de animas

One of The icons of the celebration is, of course, La Calavera Catrina also known simply as la Catrina. We all know her by her wide brimmed hat and slinky gown, but where did she come from? Meet the artist Jose Guadalupe Posada, who created the Catrina around 1910 as a scathing commentary on the native population trying desperately to assimilate into the European standards of beauty and forgetting their proud heritage for French fancy.

The name as well as her popularity are attributed, however, to one Diego Rivera, the famous painter and oft forgotten other half of Frida Kahlo. She was painted in part of his mural "Sueño de una Tarde Dominical en la Alameda Central" in 1947, standing amongst other figures such as Benito Juarez, Maxamilian I of Mexico, and Hernan Cortes, a cadre of upper class figures in the forefront while an indigenous family is beaten back by police batons.

She's since taken on a life of her own, symbolizing the Mexican willingness to laugh in the face of death, and to act as a reminder that all of us die, even the rich and powerful that would like to think themselves immortal.

In a way, she is also linked to our dear Mictēcacihuātl, the Queen of Mictlan who watches over the bones of the dead and presides over the celebrations surrounding them. Its unclear if this link was intentional by Posadas, but undeniably it is fitting.

And now for, inarguably, THE MOST recognizable and iconic of all the imagery associated with dia de los muertos: the sugar skull :sugarskull:

These intricate little sweets are traditionally formed in clay molds with boiled sugar, set, and then broken out and decorated with colorful icing, feathers, foil, rhinestones, buttons, and anything else your campy little heart could desire. They are an art unto themselves with a bit of a gruesome history.

If you're an avid reader of my threads, you can maybe already guess where this is going lmao

The process of cast sugar work was brought over by European candy makers sometime in the 17th century, but the tradition of painted skulls is one that stretches back, oh.. a few thousand years.

Only of course, it was real skulls. And the paint was probably blood. Its a bit unclear what these were used for, trophy or temple decoration, but it was definitely a thing that today delights us all.

In all actuality, these painted skulls were likely offerings or temple decorations for Huitzilopotchli made from the skulls of the warriors sacrificed to him.

Today, calaveras are made from sugar, chocolate, clay, wood, anything, really and brightly colored to bring us joy as celebrate the lives of our loved ones.

So now we know more about the history, but what about today? How do we celebrate Dia de los Muertos? Well, it depends on where you are.

In Pátzcuaro, Michoacan, colorful costumes and dancing are combined with a midnight tradition on November 2 of taking a mariposa ride to Janitzio island where the cemetery resides for celebrations.

In Ocotepec, visitors bring candles to the homes of families that have lost children recently and are given tamales and atole in return.

In places where the lineage is from the Maya, the celebrations are much the same as in Mexico, candles and flowers and the decorations of grave sites to honor the ancestors. Brazil, Peru, and Beliz by the indigenous Yucatec celebrate similarly.

In some places of Guatemala, large kites are flown in the belief that they will help guide the souls home and then back again. In Sumpago, this is also a major festival.

Ecuador's indigenous people Kichwa hold this holiday especially important, celebrating with traditional ceremonial foods such as colada morada, a spiced fruit porridge made up with purple maize and berries, as well as guagua de pan, breads shaped like swaddled infants or in the city of Loja, shaped like pigs.

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@star now I'm regretting changing my avatar this week, lol

@star all of those things would comfort me, even if I were dead, tbh

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